Giorgione, The Tempest

Giorgione

Giorgio Barbarelli da Castlefranco, known as Giorgione (c. 1477–1510), is an artist who had considerable impact on the Venetian High Renaissance. Unfortunately, art historians do not know much about Giorgione, partly because of his early death at around age 30, and partly because artists in Venice were not as individualistic as artists in Florence. While only six paintings are accredited to him, they demonstrate his importance in the history of art as well as his innovations in painting.

Giorgione was the first to paint with oil on canvas. Previously, people who used oils were painting on panel, not canvas. His works do not contain much under-drawing, demonstrating how he did not adhere to Florentine disegno, and his subject matters remain elusive and mysterious. One of his works that demonstrates all three of these elements is The Tempest (c. 1505–1510). This work is oil on canvas, x-rays show there is very little under drawing, and the subject matter remains one of the most debated issues in art history.

On the right a woman sits, suckling a baby. A man holding a long staff or pike stands in contrapposto on the left. He smiles and glances to the left, but does not appear to be looking at the woman.
The Tempest, c, 1505–1510, Giorgione.: This work by Giorgione encapsulates all of the innovations he brought to painting during the Venetian High Renaissance and remains one of the most debated paintings of all time for its elusive subject matter.

Dr. Beth Harris and Dr. Steven Zucker provide a description, historical perspective, and analysis of Giorgione’s The Tempest.

Giorgione, The Tempest, c. 1506–8, oil on canvas, 83 cm × 73 cm (33 in × 29 in), (Accademia, Venice).

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